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TWO:In his attacks on the prevalent theories of ethics, Aenesid��mus again reminds us both of Protagoras and of modern agnosticism. According to him, the general disagreement of mankind proves, among other things, that there is no definable highest good��it is neither virtue, nor pleasure, nor knowledge.298 In the absence of any dogmatic teaching on the subject at the time when he lived, Protagoras could not give an opinion with regard to the summum bonum; but Plato��s famous dialogue represents him as one who, from his point of view, would be unwilling to admit the possibility of introducing fixed principles into conduct; and in like manner, Mr. Herbert Spencer, while accepting the hedonistic principle, gives it such an extremely general signification that he is thrown back on the sceptical principle of leaving everyone free to follow his own inclinations, provided that, in so doing, he does not interfere with the liberty of others.Still more impressive, if we consider the writings of Plotinus on their personal side, and as a revelation of their author��s mind, is the high and sustained purity, the absolute detachment and disinterestedness by which they are characterised throughout. No trace of angry passion, no dallying with images of evil, interferes to mar their exalted spirituality from first to last. While the western world was passing through a period of horror and degradation such as had never been known before, the philosopher took refuge in an ideal sphere, and looked down on it all with no more disturbance to his serenity than if he had been the spectator of a mimic performance on the stage.504 This, indeed, is one of340 the reasons why the Enneads are so much less interesting, from a literary point of view, than the works of the Roman Stoics. It is not only that we fail to find in them any allusions even of the faintest kind to contemporary events or to contemporary life and manners, such as abound in Seneca and Epict��tus, but there is not the slightest reference to the existence of such a thing as the Roman empire at all. One or two political illustrations occur, but they are drawn from old Greek city life, and were probably suggested by Plato or Aristotle.505 But this tremendous blank is so perfectly in keeping with the whole spirit of Neo-Platonism as to heighten instead of lowering its aesthetic effect. In studying the philosophy of the preceding centuries, to whatever school it may belong, we have the image of death always before our eyes; and to fortify us against its terrors, we are continually called upon to remember the vanity of life. This is the protest of thought against the world, just as in Lucian and Sextus we hear the protest of the world against thought. At last the whole bitter strife comes to an end, the vision of sense passes away,

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